Watching most contemporary action pics requires a tremendous suspension of disbelief. But if you can let go of particulars like how the combined blood loss from car accidents and bullet wounds would naturally prohibit a character from fighting and running at a physical peak then enjoyment may follow. I say "may" because sometimes these impossibilities are impossible to ignore. However, in actor Jung Woo-sung's directorial debut A Man of Reason such concerns did not trouble me. I was perfectly willing to accept such nonsense as a young girl (Ryu Jian) outrunning a trained dog in a dark house and the hero maneuvering through traffic as easily as a fleeing motorcyclist tossing bombs. A Man of Reason isn't concerned with keeping it real. It's focused on keeping it entertaining.
With that goal in mind (and a performance that feels like an invitation for Tom Cruise to remake), Jung packs his picture with visually stunning sequences: a gang of stuntmen (I mean thugs) fight to gain control of a spinning car in a fancy lobby; a pair of survivors dive into a giant birdbath as a building explodes into glorious fire. Would a recently beat-up second-banana of the underworld be able to survive multiple nails shot into his throat by a deranged assassin couple (Kim Nam-gil and Lee Elijah)? Could a single assailant take on an entire room of killers with only a flashlight and a glistening knife? If you're asking yourself such questions you're missing the point... and all of this movie's many pleasures.
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