Hong Sang-soo, the auteur of the consequential inconsequential, whose films sometimes feel like well-stitched patchwork anthologies of irresponsible slights, irresistible self-deceptions, and eloquent awkwardnesses returns with On the Beach at Night Alone, a fragmentary and ultimately somber tale literally split into two distinct chapters the first set in Hamburg of all places. This prelude of sorts concerns a directionless young actress (Kim Min-hee) who has fled from a disastrous relationship with an unseen, off-screen married South Korea director who has a child but has promised to visit her abroad. Her friend (Seo Young-hwa) in Hamburg, while supportive, doesn't want her to move in -- which is wise given how blunt they are with each other. After the two meet up with a German (Mark Peranson) and his eternally tired wife/girlfriend (Bettina Steinbrügge) for dinner, they take off for an evening stroll on the beach.
The next, longer part of the movie takes place back in South Korea where our lost leading lady now reunites with a trio of former friends in a small town in which she likely shot a film earlier in her career. Because this small group includes Jeong Jae-yeong who like Seo and Kim co-star in Right Now, Wrong Then, On the Beach at Night Alone can feel like a strange sequel. Sure, the names and jobs and identities have changed but doesn't that sometimes happen with the passage of time. I doubt that this is Hong's intent but the recasting of this trio of talented actors does make for especially fascinating viewing.
The second chunk's extended dream sequence (which also ends up on a fairly empty beach) throws all of the action in question into a weird way. But with scenes like the one in which a window washer keeps wiping the smudgy window without water as if he's a renegade performance artist staging an impromptu routine outside an expensive hotel, Hong's pushing beyond hyper-realism into another realm. I don't know what to call it ultimately but I certainly do enjoy spending a couple of hours there given the chance.
No comments:
Post a Comment