Top Ten Korean Movies of 2016 (Sort of)

Zombies on the loose. Backstabbing lesbian lovers. Amoral cops. A young man with a disease that causes him to wake up each morning in a different body. 2016 was a lousy years in some respects (job, politics, family) but at least it gave me what I needed in terms of Korean movies. Below are my ten favorite movies — all viewed within the last twelve months — in alphabetical order. It was easy to pick 'em; impossible to rank 'em.

1. Alive: In Park Jung-bum's grimly naturalistic epic, poverty is one helluva oppressor and tenderness the sweetest, most unexpected thing life has to offer.

2. A Barefoot Dream: Kim Tae-gyun's ripped-from-the-sports-pages tearjerker is about an East Timor soccer team coached by a middling, former pro soccer player (Park Hee-soon) from South Korea.

3. The Beauty Inside: This wondrous sci-fi pic from Baek Jong-yeol asks how would our relationship to our soulmate change (or even survivor) if the exterior appearance kept changing every day?

4. Cyrano Agency: Imagine a future in which a matchmaking agency "scripts" your first encounter, subsequent dates, and wedding proposal. Now make it a rom-com.

5. The Handmaiden: Park Chan-wook's always made fascinating female characters but never more so than here in this lesbian erotic thriller based on Sarah Waters' novel Fingersmith.

6. A Hard Day: How often do narrative and character shortcomings make you reflect? This sleazy cop procedural, starring Lee Sun-kyun, pleases by disappointing in interesting ways.

7. Kundo: The Age of the Rampant: The better of two martial arts flicks I really enjoyed this year, the other being The Kick, has the advantage of Ma Dong-seok in a major role.

8. Miss Granny: The central performance from Shim Eun-kyung, as an old woman miraculously gifted her young body again, is deliriously good. Plus, she can sign.

9. The Scarlet Letter: Is this the most harrowing love triangle in Korean film? It's certainly in the running. I first saw it over ten years ago and it's lost none of its power.

10. Train to Busan: Although it falls tenth on this alphabetical list, this zombie flick — with a great ensemble cast — was the most thrilling movie of the year. In short, number 10 is number 1.

Cyrano Agency: The Act of Love

Since movies and TV shows often inundate us with preposterously poignant courtships culminating in impossibly eloquent professions of love, is it that far-fetched to imagine a future where matchmaking agencies are consulted to "script" your first encounter, your subsequent dates, and your wedding proposal? Bolstered by a sublimely humorous script and warmly amusing performances, writer-director Kim Hyun-seok's Cyrano Agency is at once an endearing send-up of the crappy faux reality romances we're spoon-fed across all the various mediums, and a big-hearted rom-com that knows that intentions, not well-crafted monologues or fairy dust, are the greater indicator that someone is guided by his or her fast-beating heart.

So don't let the cynical machinations of the matchmaking agency get in your way of seeing that this is a movie all about true romantics, and that these true romantics are both inside and outside the agency: There's Byeong-hoon (Eom Tae-woong), the agency director who employs stage magic into the art of seduction; Sang-yong (Choi Daniel), the lovelorn hedge fund guy, who wants to be a knight in shining armor; Min-Yeong (Park Shin-hye), the agency's second-in-command who's crushing on her boss big time; and Hee-joong (Lee Min-jung), the boss's ex- who happens to be their current client's dream-girl. Even Hee-joong's cynical sidekick appears to be a softie at the core, once you've plied her with a few glasses of red wine.

To say that I cried a few times during Cyrano Agency doesn't say much since I sometimes cry at the sappiest of movies. To say that I laughed more than a few times says more, but not a ton, is also faint praise, since my laugh of condescension gets just as much use as my laugh of joy. But to say that I feel this movie is really, really smart is higher praise. My brain is less often stimulated than my tear ducts or funny bone by movies. And when I'm stimulated in all areas, well that's kinda hot.