Miracle in Cell No. 7: Girl Behind Bars

Given the heartbreakingly inhumane, government-sanctioned acts currently occurring on the international border between Mexico and the US where asylum-seeking parents are being separated from their children and then interned in concentration camps with no clear plan on how to reunite them, this comedy about a mentally challenged man (Ryu Seung-ryong) — imprisoned for a murder and rape that he did not commit — whose daughter (Kal So Won) comes to stay with him in prison makes for incredibly weird viewing. I mean, even in Miracle in Cell No. 7 the authorities eventually come around to figuring out a way to bring the daughter and the father together, rules be damned, for heaven's sake. Evidently, "truth is stranger than fiction" is one of those cliches that keeps on giving.

Is there any comfort in knowing that police corruption and brutality are things in South Korea as well as the United States? That people are framed, forced to sign confessions they didn't write, sentenced to death without due process only to have their reputations righted posthumously in a mock trial at which everyone sobs? To be honest: The joys are few. And writer-director Lee Hwan-kyung's Miracle in Cell No. 7 is one of those movies with so many holes in it that you're hardly watching it thinking "How could this bleak reality happen?" Gritty this is not. But through your tears, and yes there are many to be shed, you will be thinking "Oh, I hope that hot air balloon they've constructed behind bars liberates the doomed duo from this prison" and "Wouldn't it be great if the head thug (Oh Dal-su) not only learned how to read but eventually became the lead attorney for our poor, unfortunate hero."

Alas, such victories are not meant to be. A well-meaning teacher (Park Shin-hye) and an enlightened prison staff (Jung Jin-yeong) are unable to defeat the cruel wheels of injustice or to prevent those wheels from crushing a man who simply was in the wrong place at the wrong time. You can blame this all on a stupid Sailor Moon backpack really. Never promise a child a trendy gift you cannot afford. Nothing good will come of it. Nothing!

Miss Granny: Oh to Be Young (and Hilarious) Again!

There's something irresistibly sweet about movies such as Big and 13 Going on 30, movies where the main character is a child transported into the body of an adult, from where they look at the world through the most innocent eyes. Even so, for me, I prefer the somewhat jaded age-swapping comedies which go in the other direction, movies like Peggy Sue Got Married and Miss Granny, movies with lead characters who wake up to find that they're young again (at least physically) while burdened with the wisdom of age. Because the wisdom that comes with age really is laughable, isn't it? What do we learn? How little we actually know? The lessons of time may ensure that we don't make certain mistakes again but it won't save us from all of our erroneous ways. We're never free of our shortcomings, even when we're given a chance to do it all again. Contrary to popular belief, hindsight isn't always 20/20 after all.

Hwang Dong-hyuk's Miss Granny is funnier than Francis Ford Coppola's heartbreakingly nostalgic Peggy Sue however. For in Peggy Sue, the leading lady (Kathleen Turner) is caught in an emotionally raw flashback whereas in Miss Granny our heroine is a much older woman (Na Mun-hee) who while likewise gifted with the body of her teenage self (Shim Eun-kyung) is experiencing her transformation in current times. Literally born again, she pursues her long-abandoned dream of being a singer even as she works to help realize the dreams of her grandson (Jung Jin-yeong), a guitarist in a failed heavy metal band. Should she start a new life or mend the problems embedded in the one she escaped? It's not an easy choice. As for Shim, she's a revelation — her comic impersonation of a grandmother is physically and vocally astute whether she's reveling in neo "Audrey Hepburn" fashions or scolding a fellow bus passenger for having water-y milk in her breasts. But Shim isn't just a comic wonder, she can also sing like an angel. Her rendition of songs like "Raindrop" and "White Butterfly" especially make you think that Shim has an alternate career as a chanteuse if she ever tires of being an actress.