Twilight Gangsters: Old Girls Just Want to Have Funds

Getting old can suck. Partly because, to much of society, once you reach a certain age, you become quaintly irrelevant. Additionally, if you ever fall into any kind of financial conflict with a major corporation — like a bank, for instance — they can take you to court and just wait it out. What's a girl to do? Well, the three grandmothers in Kang Hyo-jin's Twilight Gangsters go rogue. After years of shoplifting then hawking the goods on the street to raise a little extra cash for a once-in-a-lifetime trip to Hawaii, they turn to robbing banks to get the airfare. Time is short. Waikiki, here they come!

Or so they hope. There's a lot to learn for these three lifelong friends, not the least of which is how do you hold up a bank, anyway? Sage old ladies that they are, they pressure the bank robber (Lim Chang-jung) who's partly responsible for their financial woes to act as their mentor/coach/advisor. Roles are assigned. Jeong-ja (Na Mun-hee) will be the diversion. Shin-ja (Kim Hyeo-ok) will carry the gun. Yeong-heui (Kim Su-mi) will be the "boss" shouting out demands. Their first hold-up lands them something like $80. The second hold-up covers the airfare costs to Honolulu but will they be able to get to the airport in time. (Ten to one they're flying coach.)

Nothing turns out as planned exactly but on their side is a homeless woman (Byeon Shin-ho) they once gifted shampoo and a geriatric flirt who likes to wear white suits. On the other side, unfortunately, is the entire police force of Seoul. Even with the addition of some sympathetic hostages and a senior center that won't be disrespected, the odds are not in these ladies' favor. How do you flee from an entire police force? Three on a motorcycle, of course. But how do you get in the air? Who'll fly the plane? Can you pare down to carry-on? And what about that corrupt cop whose gun you've inadvertantly borrowed? Those are much tougher questions. Sometimes the best you can hope for is someone to offer you tofu when you get out of jail.

Wonderful Nightmare: Tragicomedy Is a Rollercoaster

One thing I've noticed about Korean comedies: They can get decidedly unfunny at the drop of a hat. So watching Kang Hyo-jin's soul-swapping farce Wonderful Nightmare, you shouldn't be surprised to find yourself getting jerked around emotionally quite a bit in between the slapstick and the absurdisties. You may start off chuckling as a heartless, greedy, sexless if stylish attorney (Eom Jeong-hwa) is reincarnated as a fashion-challenged, middle-class mother of two with a frisky husband (Song Seung-heon) but eventually you're going to be freaking out as her newfound daughter (Seo Shin-ae) is about to get gang-banged by her fellow classmates (who also plan on filming the attack) and then be freaking out again when her sweet-natured son (Jeong Ji-hoon) is diagnosed with a degenerative eye disease that can only be cured by his mother's untimely death. Who knew suicide was a form of medication? Intellectually, we may understand that the potential rape and the impending blindness are throwbacks to earlier ideas/transgressions in the story but man, can this penance all seem unnecessarily harsh. Purgatory is a bitch!

What's perhaps even more disorienting — disconcerting? — is how even after these flippant forays into tragedy, the movie is able to bounce back into farce so unconcernedly, so glibly, so assuredly that you'll find yourself guiltily cracking up at the purgatorial antics bunglingly overseen by a middle-management angel (Kim Sang-ho) who's got sins of his own to expiate. The manufactured rom-com ending has more holes in it than a slice of Swiss cheese but much of the narrative is so cheesy to start with that it seems silly to question the "happily ever after" the movie is pretending the characters can achieve. When you watch Wonderful Nightmare, cheese will be served continually and you will eat it. Even when it stinks.