Watching The Client is like listening to a certain type of well-told short story. The carefully constructed narrative builds, scene by scene, without ever needing you to re-evaluate your interpretations of "the facts" (like a mystery would) but instead judiciously doles out the details so that you're only able to decisively answer its central question at the very end In this case: Did that cool cucumber Han Cheol-min (Jang Hyuk) murder his wife or not? The accused isn't particularly sympathetic. The dead woman (Yoo Da-in) has barely any screen time. So what we're left with is a battle of wills between the public prosecutor (Park Hee-son) and the defense attorney (Ha Jung-woo). Nothing wrong with that!
Their efforts to outwit each other is what generates most of the tension in Sohn Young-sung's effective courtroom drama. Will the client's team be able to retrieve the videotape shot in the hall and why won't the police turn this evidence over? Will the cranky five-and-dime owner (Yoo Soon-woong) confess what he saw the night of the crime? Does his mute son have anything pertinent to add? To its credit, The Client never feels like its withholding evidence or dragging things out despite running over two hours. Sometimes, it simply takes time to tell a good story. That's something which The Client most assuredly understands.
Side Note: This movie is a huge improvement over Sohn's earlier flick The Pit and The Pendulum. Credit in part must go to Sohn's co-screenwriter Lee Chun-hyeong.
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