Will the multiple Oscar accolades for Parasite result in larger crowds for new Korean movies at the multiplex? Not immediately from the looks of it if a recent screening of Woo Min-ho's big-budget political thriller The Man Standing Next is any gauge. (A recent matinee screening had the usual six or seven suspects in attendance at Times Square's AMC Empire 25.) In this case, that's probably all for the best since this film about the 1979 assassination of South Korean President Park Chung-hee (Lee Sung-min) is neither as layered as Bong Joon-ho's latest masterwork nor as stylishly seductive as Im Sang-soo's The President's Last Bang which covers similar territory. Which means this one is truly for cineastes with a taste for "Hallyuwood."
In its favor, The Man Standing Next is more forthcoming with historical details than glammy The President's Last Bang; less fortunate is how belabored the set-up part of the movie is. I learned more and cared less since The Man Standing Next only kicks into gear when the action turns decidedly violent. There's a terrific scene in which a kidnapped Kwak Do-won fights his way out of a car, which leads to an exciting final scene in which the KCIA Chief Kim Kyu-Pyeong (Lee Byung-hun) orchestrates the killing with his hired thugs as well as the cooperation of the duplicitous Deborah Shim (Kim So-jin). Most interesting of all however is the archival photos and audio of the real-life men portrayed in the film, a short aside which pops up right before the end credits. Getting upstaged by reality isn't uncommon but as a stand-in for The Man Standing Next's anti-hero of a leading man, a former-revolutionary-turned-frustrated-bureaucrat, Lee Byung-hun has certainly done better.
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