Showing posts with label runaway from home. Show all posts
Showing posts with label runaway from home. Show all posts

December 29, 2018

Top Ten Korean Movies of 2018 (Sort of)

In 2018, I definitely saw fewer Korean movies than in previous years but I also saw more current releases, and made it a habit to check out the foreign film lineups at the multiplexes. And while I had less to choose from for this list come December, I still had more than enough for my ten top picks. In truth, I feel bad about not including the Korean-American Gook, the artsy doc Factory Complex, and Hong Sang-soo's On the Beach at Night Alone. Well, you can check out these three runners-up if you're using this post as a what-to-watch guide and have already seen the others.

1. Burning: Lee Chang-dong's best film since Oasis finds Steven Yeun playing a soulless rich boy who treats his friends as playthings.

2. The Great Battle: Few things please me more than a well-told "David and Goliath" tale. Here it's about a small village against a massive army.

3. The Royal Tailor: A tragedy for the fashion set, this period drama brims with unexpected compassion for the bad guy.

4. Unstoppable: I've been waiting for years for someone to cast Ma Dong-seok as a vigilante hero and so now all I can say is "Thank you!"

5. Right Now, Wrong Then: If there's a director eliciting as nuanced performances from actors as Hong Sang-soo does, let me know asap.

6. The Day After: Oh, the lies that cheaters tell themselves. Just ask the bookseller in this exquisite chamber pic, also from Hong Sang-soo.

7. Runaway From Home: This brom-com about two men tracking down a wife on the lam injects the right amount of seriousness into its silliness.

8. Swing Kids: Two teens at the theater reveled at how many times they cried during this war pic with tap dance. Bring tissues.

9. Default: Q: Can hand-drawn flowcharts and stacks of financial docs simulate the tension of South Korea's 1997 financial crisis? A: Yes.

10. The Red Chapel: Documentaries about North Korea constitute a sub-category of their own; this strange comedy tour stands out from the pack.

May 19, 2018

Runaway From Home: Looking for My Wife

Sort by "view count" for "Korean movies with English subtitles" and the two most popular YouTube videos are Healing Mate ("starring the two beautiful ladies...") and a sketchy untitled movie with a thumbnail of an Asian woman discontentedly nursing a grown man who may or may not be Korean. The first has 16 million views; the second, 14 million. I couldn't bring myself to watch either. The third most popular video with 10 million views however is definitely legit. It's the Daniel Henney vehicle Seducing Mr. Perfect , a rom-com which I've already seen, albeit years ago. What doesn't show up on that first page of search results is Runaway From Home, an absolutely delightful buddy comedy that's racked up a respectable 1.4 million views on YouTube and a less respectable 5.5 score on IMDb. Credit its visibility issues to poor tags and sloppy mislabeling — Run Away — and its low rating to poor taste in general. (Those 32 IMDb voters are hereby scolded!)

Perhaps the IMDb users simply didn't watch the entire film. Written and directed by Lee Ha, Runaway From Home may seem slight at first: Two slackers — a radio personality and a wannabe movie director — end up on a road trip when the former discovers the wife he's about to dump has already dumped him and disappeared. But where did she go? (Hence the alt title: Looking for My Wife.) The flummoxed husband (Ji Jin-hee) enlists the help of his friend (Yang Ik-joon) as the two decide to find her by tracking down her most meaningful old acquaintances sourced through an old flip-phone previously owned by the now-missing wife (Kim Gyu-ri). This device facilitates their meeting a series of zany characters including a weepy psychic (Kim Yeo-jin), a severe Ponzi-schemer (Ok Go-woon), and a pickpocket brother-in-law (Lee Mun-shik). Each new encounter leads the two pals to learn a little more about themselves and deepen their shared commitment to each other. In true Korean movie fashion, the Hollywood ending never occurs. What does instead is incredibly moving and makes Runaway From Home a runaway favorite for me.