Baseball Girl: Not a Hit

The trope is probably as old as sports movies themselves. An underdog overcomes insurmountable odds with a combination of talent and grit. The problem with Choi Yun-tae's Baseball Girl is it doesn't really highlight the talent of its star athlete -- pitcher Joo Soo-in (Lee Joo-young) -- or reveal a perseverance that's especially impressive: She snubs a teacher (Lee Chae-eun) in an amateur league, leaves the gym when a reporter approaches, and keeps trying to perfect a fast ball that's admittedly sub-par.

Once her new coach Choi Jin-tae (Lee Joon-hyuk), a former baseball player who failed to make it in the majors, takes an interest in her, the story gets marginally better. But Baseball Girl oddly never takes off in part because it lacks any love for the actually sport. We rarely see Soo-in in action during a game. Her training sequences are far from impressive. I, for one, kept thinking she needs to get a haircut to get her bangs out of her eyes as much as she needs to perfect her knuckleball. Teammate Lee Jeung-ho (Kwak Dong-yeon) may see potential. I saw someone who was delusional, selfish, petulant, and mean as well as insecure and undermined by sexism and an unhappy family. Of course, I want to see a woman win in a man's world. I'm just not that excited by this one signing a semi-pro contract.

Big Deal: Corporate Cruelty

Choi Yun-Jin's Big Deal is a pretty scary movie. Not because there are vampires or werewolves or a mad slasher on the loose. What's wreaking havoc and causing chills are corporate overlords who have only one thing on their mind: Money. Seok Jin-woo (Son Hyeon-ju) is the nepo baby who's inherited a thriving soju empire that he jeopardizes by making foolish wagers on the golf course among other places. Choi In-beom (Lee Je-hoon) is a business strategist who recognizes the faltering company as his chance to orchestrate a merciless takeover followed by downsizing and a profitable resale. Neither character can imagine a motive outside their bank accounts.

The only one in this cutthroat world who seems to give a damn is divorced, alcholic, all-too-trusting Pyo Jong Rok (Yoo Hae-jin), a high-ranking exec who is about to learn that CEOs, lawyers, judges, journalists, account managers, and so on do not share his code of ethics. Or any code of ethics. The only rule for sleazy powerbrokers like Gordon (Byron Kim), nasty double-crossers like Koo (Choi Young-joon) or backstabbing dealmakers like Mark (Daniel C Kennedy) is win at all costs. The ends justify the meanies! To its credit, Big Deal shows that sometimes a price is paid... but its not by the monsters at the top.

Road to Boston: A Run for Independence

For those who mistakenly believe that once Japan was pushed out of Korea, then South Korea immediately became an internationally recognized sovereign nation, writer-director Kang Je-kyu's Road to Boston may serve as a rousing corrective. The time is the late 1940s. Gold medal marathoner Son Kee-jeong (Ha Jung-woo) is an alcoholic nursing the pain caused by his crowning achievement being credited to the nation that once occupied his homeland. His buddy, bronze medalist Nam Seung-Ryong (Bae Sung-woo), is a running coach hoping to reassert Korea's place on the global stage. The two decide to team up to gain promising athlete Seo Yoon-bok (Yim Si-wan) a spot in the upcoming Olympics, only to find out that first their country must qualify via a sanctioned meet.

The good news is that the Boston Marathon is right around the corner. The bad news is that the American military, South Korea's latest occupier, is largely standing in the way. While the U.S. may not be as overtly oppressive as Japan was, Road to Boston does remind you that imperalism and colonialism come in many insidious forms. So does the underdog story. And this beauteous biopic recounting Seo's unlikely rise as a competitor of global ranking may have you shedding tears of appreciation by the final race. There's something truly heartwarming too in the mutual support club that can exist among "rival" runners, a bond that extends across oceans and languages. Shout out to American silver medalist John Kelly (Jesse Marshall).

The Girl on a Bulldozer: Inherited Mystery

Hye-yeong (Kim Hye-yoon) doesn't take the time to grieve when her unlucky dad (Park Hyuk-kwon) ends up "brain dead" at the hospital. Maybe her life has been sad so long that she's lost the propensity to do so. Understandable. Plus, her refusal to mourn ensures she's got plenty of time and energy to devote to solving the surrounding case -- investigated by cops and insurance company alike, and involving a wide array of people. Surely, her father can't be blamed for every crime: reckless driving, broken arm, construction site accident, striking a former employer, totalling someone else's car... His daughter knows her dad better than that.

Auntie (Yang So-min) knows some things, too. The voicemail on dad's phone details even more. But will this troubled eldest child ever be able to achieve justice, given her own public record of reactive violence. Park Ri-Woong's The Girl on a Bulldozer kicks off with a girl fight involving hair-pulling, punching, kicking, and a pair of scissors. Our anti-heroine's choice to slap the slimy politician who may be responsible for her dad's undoing is certainly an act with viral online potential but does she really think such an impulsive smack is going to work in her favor? In truth, Hye-yeong makes a number of choices that strain the viewer's credulity. And plot points like a lighter that malfunctions right when she's about to torch someone's apartment say much the same about this movie's screenplay.

K-Pops!: American-Made Korean Music Sensation

I have a few friends who work in academia and my lover just graduated from an MFA program so talk of syllabi is always in the air lately. Which got me to thinking: What films would I include if I were teaching an Intro to Korean Film class myself? Obvious choices such as Parasite (2019), Oldboy (2003), Bad Guy (2001), Stray Bullet (1961), and A Flower in Hell (1958) all come to mind. So do lesser-known works like Save the Green Planet! (2003) and Enter the Invincible Hero (1977). But I might include a movie like K-Pops! (2024), too. For this American film by multi-Grammy winner Anderson .Paak speaks to Korean-American identity, crossover Korean culture, and has plenty of dialogue in Korean too.

Set mostly in South Korea, this feel-good story concerns a Korean-American drummer-singer-songwriter (.Paak) who undergoes a maturation process after he lands a gig in the houseband of a televised competition show for pop vocalists -- only to meet the son he never knew he had in the process. Throughout, K-Pops! has a light touch even as it addresses matters of cultural heritage/exchange/cross-polination on both sides of the Pacific. The performances are universally enchanting, from .Paak's turn as the lead to Jee Young Han as his ex to Soul Rasheed as his talented son to Yvette Nicole Brown as his upbeat mom to Jon Park as his mom's potential love interest. The music likewise is irresistible. How this movie slid under the radar in 2024 is a mystery to me. So I'm hereby writing K-Pops! in large letters on the virtual chalkboard to ensure this fun flick gets your attention.

Husbands in Action: Bubbly, Bumbling-Buddy Comedy

Husbands in Action is straight up goofy. I say that appreciatively. For Park Gyu-tae's kooky bromantic comedy gradually ingratiates itself to the viewer by never letting its silliness falter. Ex-husband Hwang Choong-sik (Jin Seon-kyu) is the kind of supercop who uses his handcuffs like numchucks and will frame his frenemy for his farts; new husband Lee Min-seok (Gong Myoung) is a veterinarian who drives a van decked out with ears and a tail and can crack walnuts with his barehands; drug-dealing husband Ma Do-joon (Kim Ji Suk) is a dimwit with a strong inner dog and courts his brilliant scientist-wife (Lee Da-hee) by pummeling others. All three men must unite in order to save their loved ones from Kim Yong-gang (Yoon Kyung-ho), a behind-the-times ex-con who wants to get his turf back now that he's been released from jail.

The film abounds with silly details: a reporter (Jeon So Min) whose motives are more romantic than investigative; a police chief (Lee Soon-won) whose got a crush on his star detective. Well-executed character parts like one criminal second banana (Lee Hyun Kul) and Yong-gang's flashy wife (Lee Yoon-a) keep the laughs coming as does a delightfully absurd sequence in which the three main women defend themselves from a gang of attackers by using frozen fish as hammer-like weapons. A true knockout. Just the latest winner from Park who also wrote the touching A Great Chinese Restaurant.