Showing posts with label choi sung eun. Show all posts
Showing posts with label choi sung eun. Show all posts

March 14, 2024

My Name Is Loh Kiwan: Tough Life

You think you have it rough? Consider the life of Loh Kiwan, a North Korean refugee (Song Joong-ki) who flees with his mother to China, only to flee again on his own to Brussels where he's got no friends, no family, and very little money (which he loses soon enough). To stay, he's going to have to prove his nationality but how do you do that exactly when your country of origin doesn't share birth records and your first second home has its own bureucractic complications compounded by the fact that you were — by necessity — living a secret life. There's more. You can't get a legal job. You don't know the language so you can't argue on your own behalf. The first non-governmental person you meet who also speaks Korean is a pretty drug addict (Choi Sung-eun) with a criminal history and a massive debt tied to it. Still think you've got it rough, fellow Korean movie fan?

Personally, I've lived in a bare-bones SRO with not much money to my name; I've survived off a diet of hotdogs, cornflakes, and low-cost liquor but I've never been this alone, this dependent on the kindness of strangers, this out of my element. Thankfully, there are some kind strangers out there: a Chinese-Korean meatpacker (Lee Sang-hee) and the father (Jo Han-chul) of the woman who stole his wallet (and his heart)... Sure, they're flawed and make his life worse at times but since there's so much bad in this life, taking the bad with the good isn't so bad when it comes with some good. My Name Is Loh Kiwan made me appreciate my life. It also made me appreciate some people's ability to salvage a stylish wardrobe from the discard bin.

October 24, 2023

Gentleman: No One Is Who You Think They Are

I'm sensing a new genre emerging in movies. Let's call it "liar noir." These new crime pics are modeled after The Usual Suspects, a film in which the action which we see on screen isn't necessarily what happened at all. To the contrary, in movies like Kim Kyung Won's Gentleman (which I saw Sunday) and Yoon Jong-seok's Confession (which I saw a few weeks ago), we're presented with seedy, twisting narratives, only to learn that the tellers are fabricating the stories and what actually transpired is something else...partially. In both cases, that revisionism works against the overall picture. Because you never know if another level of deceit is going to emerge and the explanation, disputed. You're also left to wonder why you've spent the last hour hearing a made-up tale.

No fan of The Usual Suspects myself, I conjecture that this mode of storytelling is the direct result of living in a culture in which facts are repeatedly disputed, falsehoods promoted, videos doctored, and testimonies reneged. As a mirror of reality, Gentleman is not without interest. But as a movie-going experience, I'm left unsatisfied. Ju Ji-hoon is the private detective duped into being a stooge framed for a possible murder. Park Sung-woong is the amoral powerbroker who hustles on the market and markets unsuspecting women. Choi Sung Eun is the indefatigable prosecutor who isn't afraid to take on society's higher-ups. All are good. That is, if that's who they are.