Top Ten Korean Movies of 2016 (Sort of)

Zombies on the loose. Backstabbing lesbian lovers. Amoral cops. A young man with a disease that causes him to wake up each morning in a different body. 2016 was a lousy years in some respects (job, politics, family) but at least it gave me what I needed in terms of Korean movies. Below are my ten favorite movies — all viewed within the last twelve months — in alphabetical order. It was easy to pick 'em; impossible to rank 'em.

1. Alive: In Park Jung-bum's grimly naturalistic epic, poverty is one helluva oppressor and tenderness the sweetest, most unexpected thing life has to offer.

2. A Barefoot Dream: Kim Tae-gyun's ripped-from-the-sports-pages tearjerker is about an East Timor soccer team coached by a middling, former pro soccer player (Park Hee-soon) from South Korea.

3. The Beauty Inside: This wondrous sci-fi pic from Baek Jong-yeol asks how would our relationship to our soulmate change (or even survivor) if the exterior appearance kept changing every day?

4. Cyrano Agency: Imagine a future in which a matchmaking agency "scripts" your first encounter, subsequent dates, and wedding proposal. Now make it a rom-com.

5. The Handmaiden: Park Chan-wook's always made fascinating female characters but never more so than here in this lesbian erotic thriller based on Sarah Waters' novel Fingersmith.

6. A Hard Day: How often do narrative and character shortcomings make you reflect? This sleazy cop procedural, starring Lee Sun-kyun, pleases by disappointing in interesting ways.

7. Kundo: The Age of the Rampant: The better of two martial arts flicks I really enjoyed this year, the other being The Kick, has the advantage of Ma Dong-seok in a major role.

8. Miss Granny: The central performance from Shim Eun-kyung, as an old woman miraculously gifted her young body again, is deliriously good. Plus, she can sign.

9. The Scarlet Letter: Is this the most harrowing love triangle in Korean film? It's certainly in the running. I first saw it over ten years ago and it's lost none of its power.

10. Train to Busan: Although it falls tenth on this alphabetical list, this zombie flick — with a great ensemble cast — was the most thrilling movie of the year. In short, number 10 is number 1.

The Beauty Inside: I Love All of You

We like to think there's an essential "me" inside of each of us, a self that exists free of the superficialities and realities and randoms that are our actual bodies, our haircuts, our bank accounts, our bloodline. Some call this "our true selves." Others, a soul. So it goes to follow that a soulmate is someone whom we connect to from this deepest place inside ourselves without regard to how we look and what we do. Kind of.

Baek Jong-yeol's marvelous The Beauty Inside both challenges and supports these ideas by having the male romantic lead, a furniture designer named Woo-jin, suffer from a condition that causes him to wake up in a new body every day. I guess you could call it, multiple body disorder. His mother (Mun Suk) -- wisely -- doesn't take him to a doctor. His best friend (Lee Dong-hwi) thinks it's a hoot. Longterm dating is off the table. That is, until he meets Yi-soo (Han Hyo-ju), a furniture salesperson who connects with him from that very special place within. Home decor does tell us a lot about a person, scoff if you must.

That means she's willing to stick around and cuddle even when he wakes up as a middle-aged bald guy (Kim Sang-ho), an attractive young woman (Ko Ah-sung), an old lady (Lee Myeong-ja), a child... Fortunately, she gets a number of handsome men (Lee Dong-wook, Lee Beom-su, Lee Jin-wook) to tide her over but a love that keeps changing its face, its voice and sometimes its language is definitely be hard to sustain. That Yi-soo is game to try speaks volumes about her integrity and her sense of adventure. There's a few asides that suggest Woo-jin tried initiating a relationship with other women prior to her but once you've found your soulmate, let's face it: All the others just disappear.

Awards: Han Hyo-ju was rightfully nominated as best actress for the Baek Sang Art, Blue Dragon and Grand Bell awards. But that Yang Jin-mo didn't win the Grand Bell for editing, despite also being nominated, is the real crime here! At least Baek Jong-yeol won best director.